Yale Center for Teaching and Learning

Online Learning for Alumni

Yale currently offers online courses on a variety of platforms including Coursera, Open Yale Courses, YouTube, and iTunes U. Yale’s philosophy of teaching and learning begins with the goal of providing a broadly based and highly disciplined approach to higher education.

Yale on Coursera:

Yale has partnered with Coursera, a MOOC platform, to amplify the impact of great teaching beyond the campus. Coursera allows free access to high-quality educational materials with a social, interactive approach designed to assess learning.

Open Yale Courses:

Open Yale Courses (OYC) provides lectures and other materials from selected Yale College courses to the public. The courses span the full range of liberal arts disciplines, including humanities, social sciences, and physical and biological sciences.   Registration and enrollment is not required and course do not offer credit hours, degrees, or certificates.

Yale on YouTube:

The Yale Courses channel on YouTube provides entry into the core of the University via its classrooms and academic programs. This channel includes complete sets of lectures from the Open Yale Courses initiative. Complementary syllabi, transcripts, and other resources may also be accessed from the Open Yale Courses site.

Yale on iTunesU:

Listen to Yale faculty, visitors, and performers from a variety of on-campus events and lectures.

Game Theory

This course is an introduction to game theory and strategic thinking. Ideas such as dominance, backward induction, Nash equilibrium, evolutionary stability, commitment, credibility, asymmetric information, adverse selection, and signaling are discussed and applied to games played in class and to examples drawn from economics, politics, the movies, and elsewhere.

Find this course on: YouTube  iTunes U  

Dante in Translation

The course is an introduction to Dante and his cultural milieu through a critical reading of the Divine Comedy and selected minor works (Vita nuova, Convivio, De vulgari eloquentia, Epistle to Cangrande). An analysis of Dante’s autobiography, the Vita nuova, establishes the poetic and political circumstances of the Comedy’s composition. Readings of Inferno, Purgatory and Paradise seek to situate Dante’s work within the intellectual and social context of the late Middle Ages, with special attention paid to political, philosophical and theological concerns. Topics in the Divine Comedy explored over the course of the semester include the relationship between ethics and aesthetics; love and knowledge; and exile and history.

Find this course on: YouTube  iTunes U  

The American Novel Since 1945

In “The American Novel Since 1945” students will study a wide range of works from 1945 to the present. The course traces the formal and thematic developments of the novel in this period, focusing on the relationship between writers and readers, the conditions of publishing, innovations in the novel’s form, fiction’s engagement with history, and the changing place of literature in American culture. The reading list includes works by Richard Wright, Flannery O’Connor, Vladimir Nabokov, Jack Kerouac, J. D. Salinger, Thomas Pynchon, John Barth, Maxine Hong Kingston, Toni Morrison, Marilynne Robinson, Cormac McCarthy, Philip Roth and Edward P. Jones. The course concludes with a contemporary novel chosen by the students in the class.

Find this course on: YouTube  iTunes U  

Fundamentals of Physics II

This is a continuation of Fundamentals of Physics, I (PHYS 200), the introductory course on the principles and methods of physics for students who have good preparation in physics and mathematics. This course covers electricity, magnetism, optics and quantum mechanics.

Find this course on: YouTube  iTunes U  

Constitutional Law

This course is designed to introduce you to one of the most important texts in human history—the United States Constitution. Why and how did this document come into existence in the 1780s? How and why has it been amended over the years? Who decides what it means? What are the ground rules for proper constitutional interpretation? How does the written Constitution interact with unwritten sources of constitutional authority, such as judicial decisions, presidential proclamations, landmark statutes, and widespread popular understandings?

Find this course on: Coursera  

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